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‘In his
prime’ is a phrase I cannot imagine using with regard to
Walter Carrington for, like all the best things in life, the
ageing process was for him one of refinement and depth.
Hella Linkmeyer’s intelligent two-hour DVD of her term at
Lansdowne Road in 2003 gives us an opportunity to see how
this wise man, then aged 88, continued to teach and inspire
as effectively as ever. The film opens with a view of Hella
exiting Holland Park tube station and confronting the roar
of traffic on this busy London thoroughfare. As she
progresses towards The Constructive Teaching Centre this
everyday bustle gives way to birdsong and spring flowers.
Walter Carrington opens his front door with a welcome that
takes Hella, and us, into his more peaceable and thoughtful
world where time is on our side if we are prepared to take
it. With insight and sensitivity Hella Linkmeyer allows the
events to unroll at their own pace as though the camera were
not there, and she cleverly reduces any authorial
explanations to a few well-judged and attractive titles.
The film
proceeds through various key moments in a typical term at
Lansdowne Road. There are scenes of Walter Carrington
exploring F. M. Alexander’s texts; of him demonstrating
‘games’; giving ‘turns’; teaching a private lesson; plus two
brief scenes of colleagues Ruth Murray and Alan Philps
teaching groups of students. Hella Linkmeyer surely took
hours of footage during her term at Lansdowne Road, and
difficult choices must have been made to compress it down to
this two-hour film. Because the DVD features Walter
Carrington almost exclusively, I feel that the title is
somewhat misrepresentative: Spring Term might have
included more interaction with fellow students, or shown
more of the wealth of talent that other teachers brought to
the school. The subtitle Walter Carrington at Work is
more accurate. Sadly, due to ill health during the making of
the film, Dilys Carrington was not recorded; her absence
from the film is a palpable loss to anyone familiar with
Lansdowne Road.
Unfortunately the post-production values do not do justice
to the film or its subject; minor strobing at the bottom of
the screen (when viewed on a computer screen but not on a
television) distracts the eye from the picture, and the
audio could be cleaner. Making the point that Walter
Carrington masterfully ignores a ringing telephone while
giving a talk is a good lesson in inhibition but, in
general, I found the high levels of background noise
excessive. In his creative stillness Walter Carrington
taught fundamental truths about the Alexander Technique; my
only serious criticism of the film is that the intrusive
background noise makes it harder than need be to enter into
this quiet place. A minor criticism is that the weakness of
the pound against the euro makes the purchase price of €37
so expensive: a shame, because this DVD represents a
committed and personal investment on the part of Hella
Linkmeyer.
Anyone
who trained at Lansdowne Road and enjoyed the experience
will relish this film. Anyone interested in and familiar
with the Alexander Technique will find it an absorbing
document recording one of the great teachers of the Work. A
beginner to the Technique who watched it for me found it, to
my surprise, quite compelling despite being irritated by the
sound quality. Personally, I loved the film and am grateful
to Hella Linkmeyer for her hands-off approach that allows
Walter Carrington to be present in his own inimitable way. I
should state my probable bias: twenty-four years ago, as a
mother of young children, I trained at Lansdowne Road and
found there a calm and stimulating refuge from the chaos of
early parenthood. Now, due to the death of my parents, I am
again plunged into a chaotic and difficult time. To sit
quietly for a few hours with Walter at Lansdowne Road felt
like a great privilege.
©
Clarissa Palmer 2009
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